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Sugarfly Cookie is a thin cookie with a pale yellow dough, a subtle blush, and a soft smile. Her chartreuse eyes are framed by sugary curled lashes and distinctive spiral eyebrows, both of which are like a butterfly's proboscis. Two large slate gray antennas curl outward from the top of her head. Her hair is actually bright yellow, butterfly wings covered in syrup with upturned tips ending in copper spirals draping a blunt, cut fringe; Her color is a bright gradient of white, sun yellow, and gold speckled with off-white and splashed with baby blue to frame her face. From the back of Sugarfly Cookie's head is another pair of wings, though limp. It flows to the ground around her in the same palette as her fringe with striped vein markings, central ocelli, and copper spiral proboscis tips. The second pair of wings is attached by a white butterfly-shaped bow.
Sugarfly Cookie wears a canary yellow leotard under a white sugarcane ruffled blouse with short, wide sleeves. Her ruffles form a peplum at the waist, extending into a long train edged with lace in the back. Contrasting with her otherwise airy appearance, Sugarfly Cookie's legs are armored in Fairy silver: diamond-shaped poleyns protect her knees, two-part greaves cover her tibias and calves, and sollerets wrap her feet.
A red and blue robot with a blue head, yellow eyes, and a red and blue shield, stands on a gray surface, holding a black gun.
A wealthy, well-dressed man is waiting on the terrace of a Parisian café. He is waiting for his lover. Sunny location facing the Eiffel Tower.
A number 39 colored so that peace stands out in this image. In the background, you can see a boat full of soldiers happy to go to war. A crowd is on the pier and says goodbye to the fighters. The sun is shining. The image is from 1939
18th century. German Nazi 2nd World War German a tall 190cm tall V-shaped physique of a fascist Nazi helmet-wearing soldier officer in a large German civilian house inside a wide room. In one corner of the window, in one corner of the interrogation room, in one corner of the screen, very far back, a little to the side, the soldier is standing upright with his hands behind his back.
A small interrogation room under the dim light of the lamp.
A rough atmosphere. Old photograph. Random ceiling view.
In the foreground of the screen is a civilian who knows nothing about the world. He is an ordinary man who is an artist. So he exists as another major character on the screen. He is wearing work clothes and is absorbed in painting a canvas on an easel.
In the very foreground of the screen, the back of the canvas placed on the easel is visible, and the painter is somewhat obscured by the easel and the canvas. The officer is standing behind the canvas, looking at the screen, as if watching the canvas being completed in the screen's world.
The painting being painted on the canvas is not of the officer standing outside the canvas, but of an idealistic English-style meadow hill with a kite flying and a paper airplane flying, and the like, in an artistic scene. Like an artistic watercolor.
In the screen's world, the officer is standing in front of the painter. He is not standing behind the painter. In terms of composition, it is generally true that the painter and the officer are looking in the same direction.
A man passionate about classical music has dark thoughts. He composes a rhapsody alone in his room. Black and white image that accentuates the dramatic side.
Cyberpunk digital art of a central trash can illuminated by the soft glow of a nearby streetlamp, vibrant neon-lit digital billboards, cool blue and purple color palette, mysterious and modern atmosphere, blurred cityscape background, low-angle viewpoint emphasizing the trash can and glowing advertisements, futuristic urban landscape, simple design with surreal touch, inspired by the works of Simon Stålenhag and WLOP.
A science fiction fantasy space. The view is attached to the ceiling, looking down on a woman standing upright in a room, seen from the side. The woman has her head slightly tilted to the side. She is seen from head to toe in a natural, unposed state. In front of her stands a woman who looks like her, and behind her stands a woman who looks like her. Between the women standing in line, there is a transparent distance with some space. The same goes for the back. Women who look exactly the same are neatly lined up. The entire space has a floor, especially a Napoleon Yellow atmosphere. All the women have white skin, so they are very white and bright, beautifully glowing women naturally chatting and swaying in a dreamy space. Various hair color shades.
