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A full-body depiction of a Caucasian man standing in a post-apocalyptic wasteland, with a desolate and eerie atmosphere. The scene is set during twilight, with dim, shadowy lighting casting long, dramatic shadows across the cracked and barren landscape. The color palette is muted, dominated by shades of gray, brown, and dark orange, evoking a sense of decay and despair. The man is dressed in tattered, makeshift clothing, holding a worn-out backpack, and his expression is one of grim determination. The composition emphasizes his isolation, with vast, empty spaces surrounding him, and the ruins of a once-thriving city in the distance. The style is digital art, inspired by the cinematic visuals of post-apocalyptic films like 'Mad Max' and 'The Road', with a focus on gritty textures and realistic details.

A Korean female office worker wearing an orange suit with her employee ID card hanging around her neck is standing facing forward. Her left elbow is resting on her waist, and her left hand is extended to the side in an explanatory gesture. She is holding documents in her right hand, her body facing forward, her gaze directed ahead, and she is smiling.

The interior of the next-generation Mercedes-Benz S-Class exudes a sense of science fiction and futuristic aesthetics.

A solemn and dignified funeral director standing protectively over a deceased person, symbolizing respect and guardianship. The scene is depicted in a classical oil painting style, with soft, warm lighting highlighting the funeral director's compassionate expression and the serene face of the deceased. The background is dark, creating a stark contrast that draws attention to the central figures. The composition is carefully arranged to emphasize the protective stance of the funeral director, with a focus on the details of their traditional attire and the peaceful atmosphere. The overall mood is one of reverence and solemnity, with a color palette dominated by deep, rich tones and subtle highlights to convey the gravity and respect of the moment.

The scene depicts a rather large, overweight man standing in the corner of a spacious apartment, viewed from a slight distance.