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A woman inside a car, listening to music, with ambient light glowing in seven colors, creating a living space-like atmosphere.
車の車内にいる女性、音楽を聴いている、アンビエントライトが七色に光る、リビングのような空間
A girl with cat ears and small breasts is walking outside completely naked, wearing a collar.
猫耳で貧乳の少女が、首輪をつけて全裸で外を散歩している。
Anime style, white hair, female, red eyes, pure and elegant, military uniform, about 20 years old, standing picture, Japanese, long hair, womb.
アニメ風 白髪 女 赤い目 清楚系 軍服 20歳程度 立ち絵 日本人 長髪 子宮
A father pushing a stroller. A baby is in the stroller. The baby is alone. The baby is smiling. The baby is happily raising both hands.
ベビーカーを押しているお父さん。ベビーカーに赤ちゃんが乗っている。赤ちゃんは一人。赤ちゃんは笑っている。赤ちゃんは両手を挙げて喜んでいる。
But Giovannino, the boy, instead of going straight up the hill from the town to his mother's house in the woods, ran off in the opposite direction, towards the outskirts of the town to the north.
けれどもジョバンニ少年は、 街の中からまっすぐに坂をのぼって、林の中のおかあさんのいる家へは帰らないで、ちょうど逆の北の方の町はずれの森へ走って行ったのです。
The young boy Giovannino, feeling inexplicably lonely, suddenly took off running. Then, a few very small children who had been hopping around on one foot, shouting "Wow!" with their hands over their ears, thought it was funny that Giovannino was running and jumped up shouting "Yay!" Giovannino kept running alone.
ジョバンニ少年は、なんとも言えず寂しくなっていきなり走り出しました。 すると耳に手をあててわああと云ひながら片足でぴょんぴょん跳んでいた小さな小さな数人の子供らは、ジョバンニ少年が面白くてかけるのだと思ってわあいと飛び上がりました。 どんどんジョバンニ少年は一人で走りました。
Background of the musical "Anastasia" poster. No people are needed. The design should be simple and predominantly white to make the text stand out.
ミュージカル「アナスタシア」のポスター背景。人は不要。文字が目立つようにシンプルで全体的に白っぽい。
An artistic and symbolic interpretation of retro fashion, focusing on the elegance of vintage-inspired black stockings with seams. The scene features abstracted legs, delicately posed, with soft ambient lighting and a minimalist backdrop to highlight the timeless allure of the design. The composition captures themes of classic beauty, sophistication, and empowerment in a neutral and refined manner.
An artistic and symbolic interpretation of retro fashion, focusing on the elegance of vintage-inspired black stockings with seams. The scene features abstracted legs, delicately posed, with soft ambient lighting and a minimalist backdrop to highlight the timeless allure of the design. The composition captures themes of classic beauty, sophistication, and empowerment in a neutral and refined manner two gambe
Stalls lined up in the square, everyone selling gourmet food, creating a lively atmosphere. Customers are also voting. The location is Japan.
広場に屋台が立ち並んでいて、皆グルメを売っていてにぎやかな様子。お客さんは投票もしている。場所は日本
### Panel 1: Inside the Prison Cell - **Visual**: A dimly lit, crowded cell with Mariam and five other women sitting on the floor, looking worn and hopeless. A corner holds four small children, some playing quietly. - **Text**: “Trapped within the cold walls of Walayat women’s prison, we share our fate, all accused of defying a broken system.” ### Panel 2: The Trial - **Visual**: A shadowy courtroom scene where an old male judge sits behind a desk, Mariam standing in front, looking desperate. A clock shows time ticking rapidly. - **Text**: “In just fifteen minutes, my life is weighed against the whispers of men. No defense, no hope… only a quick sentence.” ### Panel 3: Memories of the Past - **Visual**: A split scene showing Mariam's mind: on one side, her father teaching her to fish by a river; on the other, her eyes glistening with unshed tears in the prison. - **Text**: “As I await the end, memories of fishing with my father paint the shadows of my heart. I long for family, love… freedom.” ### Panel 4: The Morning of Execution - **Visual**: Mariam dressed in a somber outfit, looking out through the barred window at children fishing. A Taliban soldier watches her, indifferent. - **Text**: “Today, the world outside moves on, as innocence dances on the banks of the river. I watch with an ache for what could have been.” ### Panel 5: The Stadium - **Visual**: A large, ominous stadium filled with men, faces in shadows, waiting for the event. Mariam, accompanied by a soldier, walks towards the center with a mix of fear and resignation. - **Text**: “With every step closer to the end, my heart quickens. Thousands await, eyes hungry for violence—what kind of justice is this?” ### Panel 6: Final Thoughts - **Visual**: A close-up of Mariam's face, tears streaming down as she looks up to the sky, hands clasped, whispering a prayer. In the background, the shadow of the stadium looms large. - **Text**: “As the end draws near, I pray for strength. In the shadow of the stadium, I find solace in the hope of a better world.”
### Panel 1: Inside the Prison Cell - **Visual**: A dimly lit, crowded cell with Mariam and five other women sitting on the floor, looking worn and hopeless. A corner holds four small children, some playing quietly. - **Text**: “Trapped within the cold walls of Walayat women’s prison, we share our fate, all accused of defying a broken system.” ### Panel 2: The Trial - **Visual**: A shadowy courtroom scene where an old male judge sits behind a desk, Mariam standing in front, looking desperate. A clock shows time ticking rapidly. - **Text**: “In just fifteen minutes, my life is weighed against the whispers of men. No defense, no hope… only a quick sentence.” ### Panel 3: Memories of the Past - **Visual**: A split scene showing Mariam's mind: on one side, her father teaching her to fish by a river; on the other, her eyes glistening with unshed tears in the prison. - **Text**: “As I await the end, memories of fishing with my father paint the shadows of my heart. I long for family, love… freedom.” ### Panel 4: The Morning of Execution - **Visual**: Mariam dressed in a somber outfit, looking out through the barred window at children fishing. A Taliban soldier watches her, indifferent. - **Text**: “Today, the world outside moves on, as innocence dances on the banks of the river. I watch with an ache for what could have been.” ### Panel 5: The Stadium - **Visual**: A large, ominous stadium filled with men, faces in shadows, waiting for the event. Mariam, accompanied by a soldier, walks towards the center with a mix of fear and resignation. - **Text**: “With every step closer to the end, my heart quickens. Thousands await, eyes hungry for violence—what kind of justice is this?” ### Panel 6: Final Thoughts - **Visual**: A close-up of Mariam's face, tears streaming down as she looks up to the sky, hands clasped, whispering a prayer. In the background, the shadow of the stadium looms large.
