Hyperrealist painting in the manner of Giorgio de Chirico of a dizzying top-down view of a sprawling city square with impossible geometry, sterile pale limestone architecture, concentric circles and intersecting walkways polished to a mirror-like sheen, a massive dry fountain of translucent opal filled with still silver mercury, a single red telephone booth on a white marble island, a solitary green park bench facing a blank wall, an oversized checkerboard pattern in overly saturated colors, oppressive shadowless high-noon sun casting a flat surgical glow, the horizon melting into a seamless gradient of electric cyan.