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A square cinematic scene in photorealistic style, aspect ratio 1:1. A bright sci-fi laboratory with transparent technological capsule chambers. In two separate capsules stand Hatsune Miku and Mita from MiSide. Miku is standing in a natural neutral pose. She has long turquoise hair tied in two tails, a black-and-turquoise futuristic suit, and a concerned but determined facial expression. Mita is standing in her capsule. She has short purple hair, purple eyes, a muted dark-red sweatshirt, and two identical dark-red stockings — the left and right ones are the same length and color, with thin white stripes along the top edge. Their legs are not crossed, and both girls are no longer curtsying. On the girls' wrists and ankles are soft, glowing technological restraints that are safe, do not cause pain, and leave no marks. The restraints look like smooth futuristic devices with a bluish glow. Their arms are in a calm position, along their bodies. The chambers are made of clear transparent glass with realistic reflections and soft highlights. The Curator stands near the control panel, turned completely away from the viewer toward the console. Both his hands are on the control panel, his fingers interacting with buttons and glowing interfaces. He is wearing dark futuristic clothes, without a hood or mask. The Curator's face is not visible due to the angle: the viewer only sees the back of his head, shoulders, and the darkened side of his head, with no eyes, nose, mouth, or other facial features. The room contains monitors, control panels, thin glowing lines, and abstract digital interfaces, but no readable inscriptions, letters, numbers, or logos. The atmosphere is slightly disturbing but not horror-like: cool bluish-white diffused lighting, soft shadows, realistic materials, light fog,

A square cinematic scene in photorealistic style, aspect ratio 1:1. A bright sci-fi laboratory with transparent technological capsule chambers. In two separate capsules stand Hatsune Miku and Mita from MiSide. Miku is standing in a natural neutral pose. She has long turquoise hair tied in two tails, a black-and-turquoise futuristic suit, and a concerned but determined facial expression. Mita is standing in her capsule. She has short purple hair, purple eyes, a muted dark-red sweatshirt, and two identical dark-red stockings — the left and right ones are the same length and color, with thin white stripes along the top edge. Their legs are not crossed, and both girls are no longer curtsying. On the girls' wrists and ankles are soft, glowing technological restraints that are safe, do not cause pain, and leave no marks. The restraints look like smooth futuristic devices with a bluish glow. Their arms are in a calm position, along their bodies. The chambers are made of clear transparent glass with realistic reflections and soft highlights. The Curator stands near the control panel, turned completely away from the viewer toward the console. Both his hands are on the control panel, his fingers interacting with buttons and glowing interfaces. He is wearing dark futuristic clothes, without a hood or mask. The Curator's face is not visible due to the angle: the viewer only sees the back of his head, shoulders, and the darkened side of his head, with no eyes, nose, mouth, or other facial features. The room contains monitors, control panels, thin glowing lines, and abstract digital interfaces, but no readable inscriptions, letters, numbers, or logos. The atmosphere is slightly disturbing but not horror-like: cool bluish-white diffused lighting, soft shadows, realistic materials, light fog,

The spacious cargo hold of the Earth spacecraft is neither a bridge nor a command center. The room lacks control panels, screens, a captain's chair, instrument consoles, or navigation panels. Only an open cargo space remains: wide metal walls and floor, cargo containers, securing rings, power beams, and technical compartments. A friendly tug-of-war competition is taking place in the center. A powerful Klingon with characteristic ridges on his forehead confidently defeats three strong Earthlings. All the characters have unique faces, hairstyles, hair colors, skin tones, heights, and builds. The first Earthling stands in a stable, wide stance: both feet fully on the floor, knees bent, back tilted backward, both hands firmly holding the rope. The second Earthling is in a similar pose. The third takes a controlled step backward: one leg forward, the other behind, the torso turned to the side, shoulders and hips aligned with the movement. All the Earthlings wear Starfleet uniforms! Every character has exactly two arms and two legs, proper joints, natural balance, and normal positioning of feet, hands, and fingers. The fingers grip the rope correctly. The Klingon pulls backward with his entire body, holds a stable power pose, and maintains confidence in balance, so the three Earthlings lose. The rope is clearly visible along the entire line between the teams. In the background, three Earthlings and two Klingons watch the competition. Each observer has exactly two anatomically correct arms, with no merging, disappearance, or deformations. The Earth girl wears a short, neat uniform dress above the knee. All heads are fully visible, faces are expressive, hands and legs are clearly drawn, with no extra limbs, truncated body parts, or anatomical errors. Do not draw arms folded on the chest! Wide cinematic composition,

Neutral studio illustration of a completely fictional blue-skinned humanoid alien, not based on any existing franchise, game, film, or well-known artist. Composition of two views of the same character on a light gray background: full-figure view on the left, a close-up portrait of the head and shoulders on the right. A tall humanoid about 2.2 m in height, stocky, broad, with a dense build, not overly muscular. Blue skin, a rough, expressive face, a wide, flat, snub nose. The head is completely bald. On the skull are two low smooth symmetrical elevations running from the forehead to the back of the head. Between them lies a smooth central strip. On the forehead is a small simple geometric sign consisting of three lines. Each hand has about four fingers and one large side thumb. Each foot has four equal fingers, no separate thumb. Accurately show the correct number of fingers, without extra, fused, or deformed fingers. The character is dressed in a tight matte fabric suit with noticeable material weave, seams, and functional structural panels. The suit is not glossy. An artistic author’s style in the spirit of late 20th-century retro-futuristic science fiction, without copying a specific work or artist. Accurate anatomy, clear forms, soft neutral light, neat design presentation. No weapons, text, signatures, or logos.

Neutral studio illustration of a completely fictional blue-skinned humanoid alien, not based on any existing franchise, game, film, or well-known artist. Composition of two views of the same character on a light gray background: full-figure view on the left, a close-up portrait of the head and shoulders on the right. A tall humanoid about 2.2 m in height, stocky, broad, with a dense build, not overly muscular. Blue skin, a rough, expressive face, a wide, flat, snub nose. The head is completely bald. On the skull are two low smooth symmetrical elevations running from the forehead to the back of the head. Between them lies a smooth central strip. On the forehead is a small simple geometric sign consisting of three lines. Each hand has about four fingers and one large side thumb. Each foot has four equal fingers, no separate thumb. Accurately show the correct number of fingers, without extra, fused, or deformed fingers. The character is dressed in a tight matte fabric suit with noticeable material weave, seams, and functional structural panels. The suit is not glossy. An artistic author’s style in the spirit of late 20th-century retro-futuristic science fiction, without copying a specific work or artist. Accurate anatomy, clear forms, soft neutral light, neat design presentation. No weapons, text, signatures, or logos.

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