User-a20

A square cinematic scene in photorealistic style, aspect ratio 1:1. A bright sci-fi laboratory with transparent technological capsule chambers. In two separate capsules stand Hatsune Miku and Mita from MiSide. Miku is standing in a natural neutral pose. She has long turquoise hair tied in two tails, a black-and-turquoise futuristic suit, and a concerned but determined facial expression. Mita is standing in her capsule. She has short purple hair, purple eyes, a muted dark-red sweatshirt, and two identical dark-red stockings — the left and right ones are the same length and color, with thin white stripes along the top edge. Their legs are not crossed, and both girls are no longer curtsying. On the girls' wrists and ankles are soft, glowing technological restraints that are safe, do not cause pain, and leave no marks. The restraints look like smooth futuristic devices with a bluish glow. Their arms are in a calm position, along their bodies. The chambers are made of clear transparent glass with realistic reflections and soft highlights. The Curator stands near the control panel, turned completely away from the viewer toward the console. Both his hands are on the control panel, his fingers interacting with buttons and glowing interfaces. He is wearing dark futuristic clothes, without a hood or mask. The Curator's face is not visible due to the angle: the viewer only sees the back of his head, shoulders, and the darkened side of his head, with no eyes, nose, mouth, or other facial features. The room contains monitors, control panels, thin glowing lines, and abstract digital interfaces, but no readable inscriptions, letters, numbers, or logos. The atmosphere is slightly disturbing but not horror-like: cool bluish-white diffused lighting, soft shadows, realistic materials, light fog,

A square cinematic scene in photorealistic style, aspect ratio 1:1. A bright sci-fi laboratory with transparent technological capsule chambers. In two separate capsules stand Hatsune Miku and Mita from MiSide. Miku is standing in a natural neutral pose. She has long turquoise hair tied in two tails, a black-and-turquoise futuristic suit, and a concerned but determined facial expression. Mita is standing in her capsule. She has short purple hair, purple eyes, a muted dark-red sweatshirt, and two identical dark-red stockings — the left and right ones are the same length and color, with thin white stripes along the top edge. Their legs are not crossed, and both girls are no longer curtsying. On the girls' wrists and ankles are soft, glowing technological restraints that are safe, do not cause pain, and leave no marks. The restraints look like smooth futuristic devices with a bluish glow. Their arms are in a calm position, along their bodies. The chambers are made of clear transparent glass with realistic reflections and soft highlights. The Curator stands near the control panel, turned completely away from the viewer toward the console. Both his hands are on the control panel, his fingers interacting with buttons and glowing interfaces. He is wearing dark futuristic clothes, without a hood or mask. The Curator's face is not visible due to the angle: the viewer only sees the back of his head, shoulders, and the darkened side of his head, with no eyes, nose, mouth, or other facial features. The room contains monitors, control panels, thin glowing lines, and abstract digital interfaces, but no readable inscriptions, letters, numbers, or logos. The atmosphere is slightly disturbing but not horror-like: cool bluish-white diffused lighting, soft shadows, realistic materials, light fog,

The spacious cargo hold of the Earth spacecraft is neither a bridge nor a command center. The room lacks control panels, screens, a captain's chair, instrument consoles, or navigation panels. Only an open cargo space remains: wide metal walls and floor, cargo containers, securing rings, power beams, and technical compartments. A friendly tug-of-war competition is taking place in the center. A powerful Klingon with characteristic ridges on his forehead confidently defeats three strong Earthlings. All the characters have unique faces, hairstyles, hair colors, skin tones, heights, and builds. The first Earthling stands in a stable, wide stance: both feet fully on the floor, knees bent, back tilted backward, both hands firmly holding the rope. The second Earthling is in a similar pose. The third takes a controlled step backward: one leg forward, the other behind, the torso turned to the side, shoulders and hips aligned with the movement. All the Earthlings wear Starfleet uniforms! Every character has exactly two arms and two legs, proper joints, natural balance, and normal positioning of feet, hands, and fingers. The fingers grip the rope correctly. The Klingon pulls backward with his entire body, holds a stable power pose, and maintains confidence in balance, so the three Earthlings lose. The rope is clearly visible along the entire line between the teams. In the background, three Earthlings and two Klingons watch the competition. Each observer has exactly two anatomically correct arms, with no merging, disappearance, or deformations. The Earth girl wears a short, neat uniform dress above the knee. All heads are fully visible, faces are expressive, hands and legs are clearly drawn, with no extra limbs, truncated body parts, or anatomical errors. Do not draw arms folded on the chest! Wide cinematic composition,

Neutral studio illustration of a completely fictional blue-skinned humanoid alien, not based on any existing franchise, game, film, or well-known artist. Composition of two views of the same character on a light gray background: full-figure view on the left, a close-up portrait of the head and shoulders on the right. A tall humanoid about 2.2 m in height, stocky, broad, with a dense build, not overly muscular. Blue skin, a rough, expressive face, a wide, flat, snub nose. The head is completely bald. On the skull are two low smooth symmetrical elevations running from the forehead to the back of the head. Between them lies a smooth central strip. On the forehead is a small simple geometric sign consisting of three lines. Each hand has about four fingers and one large side thumb. Each foot has four equal fingers, no separate thumb. Accurately show the correct number of fingers, without extra, fused, or deformed fingers. The character is dressed in a tight matte fabric suit with noticeable material weave, seams, and functional structural panels. The suit is not glossy. An artistic author’s style in the spirit of late 20th-century retro-futuristic science fiction, without copying a specific work or artist. Accurate anatomy, clear forms, soft neutral light, neat design presentation. No weapons, text, signatures, or logos.

Neutral studio illustration of a completely fictional blue-skinned humanoid alien, not based on any existing franchise, game, film, or well-known artist. Composition of two views of the same character on a light gray background: full-figure view on the left, a close-up portrait of the head and shoulders on the right. A tall humanoid about 2.2 m in height, stocky, broad, with a dense build, not overly muscular. Blue skin, a rough, expressive face, a wide, flat, snub nose. The head is completely bald. On the skull are two low smooth symmetrical elevations running from the forehead to the back of the head. Between them lies a smooth central strip. On the forehead is a small simple geometric sign consisting of three lines. Each hand has about four fingers and one large side thumb. Each foot has four equal fingers, no separate thumb. Accurately show the correct number of fingers, without extra, fused, or deformed fingers. The character is dressed in a tight matte fabric suit with noticeable material weave, seams, and functional structural panels. The suit is not glossy. An artistic author’s style in the spirit of late 20th-century retro-futuristic science fiction, without copying a specific work or artist. Accurate anatomy, clear forms, soft neutral light, neat design presentation. No weapons, text, signatures, or logos.

The birth of a terracotta dragon from a terracotta egg Some dragons hatch from eggs. However, there are also dragons that are born from the element they embody. The dragon’s spirit forms an elemental shell around itself. The spirit of a water dragon creates a shell made of water; the spirit of an ice dragon creates one made of ice; the spirit of a stone dragon creates one made of stone; and the spirit of a fire dragon creates one made of fire and lava. The spirit of a terracotta dragon forms a shell out of reddish-brown clay. The shell created by the spirit takes the shape of the dragon’s future body. The dragon gradually grows and develops inside the shell, slowly filling it with its physical form. When the time comes, the elemental shell—having served its purpose—bursts apart and crumbles, and the dragon emerges into the world.

The birth of a terracotta dragon from a terracotta egg Some dragons hatch from eggs. However, there are also dragons that are born from the element they embody. The dragon’s spirit forms an elemental shell around itself. The spirit of a water dragon creates a shell made of water; the spirit of an ice dragon creates one made of ice; the spirit of a stone dragon creates one made of stone; and the spirit of a fire dragon creates one made of fire and lava. The spirit of a terracotta dragon forms a shell out of reddish-brown clay. The shell created by the spirit takes the shape of the dragon’s future body. The dragon gradually grows and develops inside the shell, slowly filling it with its physical form. When the time comes, the elemental shell—having served its purpose—bursts apart and crumbles, and the dragon emerges into the world.

The birth of a terracotta dragon from a terracotta egg Some dragons hatch from eggs. However, there are also dragons that are born from the element they embody. The dragon’s spirit forms an elemental shell around itself. The spirit of a water dragon creates a shell made of water; the spirit of an ice dragon creates one made of ice; the spirit of a stone dragon creates one made of stone; and the spirit of a fire dragon creates one made of fire and lava. The spirit of a terracotta dragon forms a shell out of reddish-brown clay. The shell created by the spirit takes the shape of the dragon’s future body. The dragon gradually grows and develops inside the shell, slowly filling it with its physical form. When the time comes, the elemental shell—having served its purpose—bursts apart and crumbles, and the dragon emerges into the world.

A retro-futuristic car wash in the style of 1950s–1960s science fiction. A large, blue, metallic flying car without wheels, tires, rims, or visible chassis elements hovers approximately 5–6 meters above the floor. A noticeable air gap is visible beneath it; below, metal drainage grates and flowing water can be seen in the distance. From above, nozzles spray water and thick white foam onto the car. Near the car, an adult woman hovers, with a slightly enlarged but compact glowing flight backpack on her back. The backpack is roughly shoulder-width and extends from the upper part of her back to her waist, with two small glowing nozzles or engines; it is securely fastened and does not cover her face, hands, or clothes. The woman’s legs are fully visible. She holds a sponge or cloth with both hands and is washing the side of the car body. The palms and fingers are clearly and anatomically correctly drawn: two separate hands, the correct number of fingers, the fingers do not blur or merge with each other, no extra fingers or deformations; the sponge is clamped between the palms and is clearly visible. The woman is wearing a fully covered, opaque retro-futuristic uniform dress with a neat collar and an apron, modestly cut, in a turquoise-pink-cream color scheme. On the clothes, natural water drops, wet areas, and thick white soapy foam are clearly visible, especially on the apron, sleeves, and lower part of the outfit. No sexualized accent. Through the transparent windshield, an adult man in the driver’s seat is clearly visible. He is drawn anatomically correctly, sits naturally, both hands are on the steering wheel, and his head is turned toward the woman — the man is looking at her. No deformations, extra limbs, or merging with the steering wheel and dashboard. Around — chrome structures, bright neon lights, steam.

A mystical and surreal portrait of a young woman thoughtfully resting her cheek on her palm. A thick lilac-gray mist swirls around her head, revealing the images of her thoughts and memories within: an antique clock, a coffee cup, an open book, a key, a letter, and tiny silhouettes of people in the distance. The woman looks natural and vivid: fair skin with a soft warm peach tint and a light blush, a calm, thoughtful gaze. Soft diffused light, muted violet-gray palette, atmospheric haze, delicate details, painterly texture, a feeling of a dream and melancholy, vertical composition.

A mystical and surreal portrait of a young woman thoughtfully resting her cheek on her palm. A thick lilac-gray mist swirls around her head, revealing the images of her thoughts and memories within: an antique clock, a coffee cup, an open book, a key, a letter, and tiny silhouettes of people in the distance. The woman looks natural and vivid: fair skin with a soft warm peach tint and a light blush, a calm, thoughtful gaze. Soft diffused light, muted violet-gray palette, atmospheric haze, delicate details, painterly texture, a feeling of a dream and melancholy, vertical composition.

A mystical and surreal portrait of a young woman thoughtfully resting her cheek on her palm. A thick lilac-gray mist swirls around her head, revealing the images of her thoughts and memories within: an antique clock, a coffee cup, an open book, a key, a letter, and tiny silhouettes of people in the distance. The woman looks natural and vivid: fair skin with a soft warm peach tint and a light blush, a calm, thoughtful gaze. Soft diffused light, muted violet-gray palette, atmospheric haze, delicate details, painterly texture, a feeling of a dream and melancholy, vertical composition.

A mystical and surreal portrait of a young woman thoughtfully resting her cheek on her palm. A thick lilac-gray mist swirls around her head, revealing the images of her thoughts and memories within: an antique clock, a coffee cup, an open book, a key, a letter, and tiny silhouettes of people in the distance. The woman looks natural and vivid: fair skin with a soft warm peach tint and a light blush, a calm, thoughtful gaze. Soft diffused light, muted violet-gray palette, atmospheric haze, delicate details, painterly texture, a feeling of a dream and melancholy, vertical composition.

Square Halloween illustration, a close-up of a group of characters gathered closely together and gazing directly at the viewer with fascination: a young witch in a large pointed hat, a little imp with red horns and tousled hair, a pale vampire with pointed ears and a high collar, a semi-transparent ghost, and a black cat with golden eyes. All of them have wide-open eyes and a surprised, almost hypnotized look on their faces. Dark purple background, glowing magical spirals and sparks swirling around the characters. Dramatic orange-purple lighting, a detailed fantasy book illustration, mysterious, slightly eerie but not frightening atmosphere. The characters are large, their faces are clearly distinguishable, no text.

Square Halloween illustration, a close-up of a group of characters gathered closely together and gazing directly at the viewer with fascination: a young witch in a large pointed hat, a little imp with red horns and tousled hair, a pale vampire with pointed ears and a high collar, a semi-transparent ghost, and a black cat with golden eyes. All of them have wide-open eyes and a surprised, almost hypnotized look on their faces. Dark purple background, glowing magical spirals and sparks swirling around the characters. Dramatic orange-purple lighting, a detailed fantasy book illustration, mysterious, slightly eerie but not frightening atmosphere. The characters are large, their faces are clearly distinguishable, no text.

Square Halloween illustration, a close-up of a group of characters gathered closely together and gazing directly at the viewer with fascination: a young witch in a large pointed hat, a little imp with red horns and tousled hair, a pale vampire with pointed ears and a high collar, a semi-transparent ghost, and a black cat with golden eyes. All of them have wide-open eyes and a surprised, almost hypnotized look on their faces. Dark purple background, glowing magical spirals and sparks swirling around the characters. Dramatic orange-purple lighting, a detailed fantasy book illustration, mysterious, slightly eerie but not frightening atmosphere. The characters are large, their faces are clearly distinguishable, no text.

A photorealistic portrait of a young woman sitting in a white bathtub filled with clear water and a small amount of soft white soap foam. She has long, slightly wavy dark brown hair, a gentle smile, and is wearing a classic black-and-white maid outfit with a white collar, puffed sleeves, black tie, and a white ruffled maid cap. She is making a peace sign with one hand while resting the other hand on her lap. Her clothing has a subtle realistic wet-fabric effect with darker damp areas and natural highlights, while remaining fully opaque. The bathroom is bright, elegant, and modern, featuring white marble walls, a large window, a white cabinet with a gold handle, glass bottles, and a vase of flowers. Warm natural daylight, soft reflections on the water, realistic skin tones, detailed fabric texture, shallow depth of field, high-end editorial photography, vertical composition.

Why not send a resurrected man—endowed with incredible physical strength and endurance, capable of withstanding extreme cold and hunger, recovering rapidly from severe injuries, and swiftly adapting to harsh environments—to explore deep space with its unknown perils?! However, the very first aliens he encountered turned out to be incredibly friendly and welcomed him with the utmost hospitality!

Square composition 1:1, smooth clean digital painting without graininess, noise, film texture and visual artifacts. One druid in the center of an ancient forest grove smoothly transforms into a wolfman. Only one character, no second character. The transition between the human left side and the wolf right side is soft and organic, with no sharp border: human and animal features gradually merge on the face, neck, chest, shoulders and arms. The left side of the character is predominantly human: long braided hair, green-brown clothes, a wooden staff and nature amulets. The right side is predominantly wolf-like: dark silver fur, an elongated muzzle, a pointed ear, a glowing amber eye, a powerful muscular body and sharp claws. A large sun is located on the left, slightly below the center of the frame and a little above the horizon line. It partially shines through the trees and emits a rich golden-orange light with long rays. Deep blue lunar darkness thickens on the right. The sky smoothly transitions from warm sunset hues on the left to starry twilight on the right. Leaves and vines swirl around the character, mystical green runes glow, soft mist spreads between the ancient trees. Cinematic lighting, high detail of fur, hair and fabric, epic but non-bloody atmosphere, expressive composition, original fantasy concept art. Clean smooth gradients, neat edges, professional digital painting, high detail. No text, no logos, no graininess.

Scene by the riverbank during the day. An adult woman is shown in a close-up full-length shot; her left arm is fully visible and naturally lowered along her body. She is wearing a modest elegant outfit with Chinese motifs and an exposed shoulder. Appa is standing, noticeably larger than Katara: his body and large tower over her. Appa playfully touches her shoulder with his tongue, as if greeting her in a friendly way. Katara is smiling. In the background: the river, stones, green riverbank, sunlight and water reflections. Bright adventurous fantasy cartoon style, clean outlines, expressive facial expressions, friendly atmosphere, no romantic or sexual subtext. Negative prompts can be added: Do not crop the left hand, do not hide the hand, do not make Appa smaller, do not make the scene gloomy, do not add extra limbs, do not change Katara's pose, no fetishistic focus on the body.